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2 OU playwrights discuss thier goals as they enter competitive field

Merri Biechler and Laura Jacqmin, two of four female master of fine arts playwrights at Ohio University, will be graduating in June to join a difficult and predominantly male profession.

The Post's Gina Beach sat down with Biechler and Jacqmin to talk about what it's like to be a woman writer and the upcoming performances of their work.

The Post: You two are helping to produce your own work before you graduate at the end of the year. How did you choose these pieces as your ultimate project?

Merri Biechler:This is our huzzah: I specifically wrote (Real Girls Can't Win!) for the actresses at OU. I thought to leave here and not write a play for young women would be a waste.

Laura Jacqmin: There was a staged reading (of Happyslap, which opens tomorrow) at last year's (Seabury Quinn Jr.) Playwright Festival. The story has changed a little bit since I first wrote it. A lot of it is getting the story in line with where it needs to be.

Post: What does it take to support yourself solely on writing?

Biechler: It's not possible to support yourself on writing. You teach, wait tables, whatever you can do to get by. There are only half a dozen playwrights in the world that can support themselves solely on their work.

Post: What's the best thing about being around so many other playwrights?

Jacqmin: I am fairly confident that I would not still be a playwright if I hadn't come here. We have such high standards for each other that I can tell Merri I've got this idea and she'll ask me, 'But how's that going to work onstage?' or 'What's the onstage manifestation of that?'

Post: What is the future of playwriting in terms of gender equality?

Jacqmin: The statistic that's often thrown around is that only 20 percent of people in theater 'that's directors, designers, actors ' are women. Kind of astounding. But what we have that survives is (William) Shakespeare, (Arthur) Miller, (Anton) Chekhov. For a lot of men, that is going to be universal for all time. The trick is finding out what is resonant and universal for women.

Post: What is resonant for women?

Biechler: The War in Iraq is resonate for everybody but, in particular, for women.

Jacqmin: The level of silence (on women in the war), which is not something you think about there, about women's roles in the war as wives, soldiers.

Post: Any advice for aspiring writers?

Jacqmin: The whole thing about growing up is the idea of gaining an inner life ' the realization is that there is something beyond you that is equally reflected back at you ' so you have something to pull from. I took a class about identifying human bones ' not that I did that well in it ' but someday I'll probably write a play about bones.

Biechler: Just start. Just write. Because if it stays in your head, it does nobody any good.

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