Netflix will gain ‘Money Heist: The Phenomenon,’ ‘The Perks of Being a Wallflower’ in April; ‘American Odyssey,’ ‘The Shawshank Redemption’ will depart
It’s time to binge-watch some Netflix.
Film Review: ‘The Hunt’ marks Blumhouse’s worst film to date
Betty Gilpin’s character is a shining light through a film full of nothing substantial.
Film Review: ‘The Invisible Man’ succeeds with a terrifyingly accurate depiction of abusive relationships, brilliantly tense scenes
Elisabeth Moss gives one of her best performances to date.
Netflix will gain ‘Money Heist: The Phenomenon,’ ‘The Perks of Being a Wallflower’ in April; ‘American Odyssey,’ ‘The Shawshank Redemption’ will depart
It’s time to binge-watch some Netflix.
2020 will bring good films to the silver screen, just not right now
Various big-ticket movie premieres have been delayed due to COVID-19 concerns.
Film Review: ‘I Still Believe’ is an unmemorable film with memorable performances
KJ Apa and Britt Robertson carry the film.
Film Review: ‘The Hunt’ marks Blumhouse’s worst film to date
Betty Gilpin’s character is a shining light through a film full of nothing substantial.
Film Review: ‘The Invisible Man’ succeeds with a terrifyingly accurate depiction of abusive relationships, brilliantly tense scenes
Elisabeth Moss gives one of her best performances to date.
Film Review: Pixar’s ‘Onward’ tells a brilliantly emotional, realistic tale through a fantasy world
Chris Pratt and Tom Holland are the perfect leading characters.
Film Review: ‘All the Bright Places’ proves love and beauty can be found in the darkest of places
‘All the Bright Places’ depicts how individuals cope with the losses of those close to them and not necessarily how the mentally ill cope with their own battling depression.
Film Review: Severin Fiala and Veronika Franz’s ‘The Lodge’ is full of horror tropes, but it works
The slow-burn film is sometimes too ambitious for its own good, but overall, an adequate addition to the horror genre.
Weekender Briefs: Check out the 48-hour shootout films; prune a fruit tree
Here’s what’s happening in Athens this weekend.
Film Review: ‘Fantasy Island’ contains trivial acting, a preposterous plot and nothing of real substance
‘Fantasy Island’ leaves audience members discussing nothing following the movie — besides wanting their money and time back.
Film Review: ‘To All The Boys: P.S. I Still Love You’ lacks first film’s charm, character development
Jordan Fisher as John Ambrose is the only real saving grace.
6 of the best looks from the 2020 Oscars red carpet
Timothee Chalamet and Billie Eilish went the relaxed route.
Film Review: Sam Mendes’ ‘1917’ is a technical marvel
The film is a top contender for Best Picture at the 2020 Oscars.
Film Review: Stakes are low in Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’
Since Tarantino has already successfully released a film with the same goal, ‘Hollywood’ falls under more intense scrutiny.
Film Review: The unforgiving length of Martin Scorsese’s ‘The Irishman’ is what makes it so good
It’s time to set three and a half hours aside to watch this masterpiece.
Oscar Watch: A ranking of the 2020 Best Picture nominees
The nominees may have been predictable, but strides in diversifying were made.
Film Review: ‘Jojo Rabbit’ sets a new standard for political satire
Directors, take notes from Taika Waititi.
Film Review: Greta Gerwig’s brilliant cast and fresh perspective introduces ‘Little Women’ to a new generation
Florence Pugh finally brings justice to Amy March.
